Cy Twombly Photographs – Lyrical Variations (Torch Press, 2014)

The catalogue for an exhibition at the Kawamura Memorial DIC Museum of Art, this volume features a selection of 100 photographic works by American artist Cy Twombly that span six decades, from the 1950s until his death in 2011.

Edwin Parker “Cy” Twombly Jr. (; April 25, 1928 – July 5, 2011) was an American painter, sculptor and photographer. He studied at the School of the Museum of Fine Arts, Boston (1947–49); the Art Students League, New York (1950–51); and Black Mountain College, North Carolina (1951–52). In the mid-1950s, following travels in Europe and Africa, he emerged as a prominent figure among a group of artists working in New York that included Robert Rauschenberg and Jasper Johns.

His paintings are predominantly large-scale, freely-scribbled, calligraphic and graffiti-like works on solid fields of mostly gray, tan, or off-white colors. His later paintings and works on paper shifted toward romantic symbolism, and their titles can be interpreted visually through shapes and forms and words.


Video: CY TWOMBLY: Photographs at Gagosian Gallery Beverly Hills (Youtube)

Comme On A Dit from Onze Danses Pour Combattre La Migraine by Aksak Maboul (℗ 1981 Crammed Discs)

Seminal, shapeshifting band founded in 1977 by Marc Hollander (Crammed Discs boss) with Vincent Kenis (producer of the Congotronics series). Their first 2 LPs are avant-garde classics. Figures, the brand-new double LP, is coming out in 2020. More infos here.

Twombly had first begun working in photography in a course that he took at Black Mountain College at the age of 23. At that time, he became absorbed in using a pinhole camera, and later as he worked primarily in painting, Twombly nonetheless continued taking photographs with a Polaroid camera. A 17th-century palazzo, cabbage and wilting flowers on a marble table, an artist’s studio scattered with paints, papers and a painting in progress, a view of the calm Tyrrhenian Sea. These scenes were all from Twombly’s daily life, and in the photographs he took of them, colors and shapes intermingle, and as ambiguity veils the actualities, a bunch of tulips becomes a work of classical Roman sculpture and a still life easily transforms into a landscape.

Publisher’s Info

Publisher: Torch Press