Duane Michals: Empty New York (Enitharmon Editions, 2018)

Duane Michals (b. 1932, McKeesport, PA) is one of the great photographic innovators of the last century, widely known for his work with series, multiple exposures, and text. In 1964, he began to document New York City in an unfamiliar guise, virtually empty of inhabitants at dawn or dusk.

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Ralph Gibson: The Spirit of Burgundy (Aperture, 1994)

Ralph Gibson has carried on a lifelong love affair with France, passionately observing and recording the country through its most intimate details.. In The Spirit of Burgundy local cuisine, architecture, customs, wine cultivation, landscape, and the Burgundians themselves are the ongoing visual themes.

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Christopher Makos: White Trash (Stonehill Publishing, 1977)

Christopher Makos was born in Lowell, Massachusetts, grew up in California, and moved to New York after high school. His seminal 1977 book, White Trash, chronicled the punk scene as it came of age on the street of New York.

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Stephen Shore: The Gardens At Giverny: A View of Monet’s World (Aperture, 1983)

Stephen Shore (born October 8, 1947) is an American photographer known for his images of banal scenes and objects in the United States, and for his pioneering use of color in art photography.

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Abigail Heyman: Growing up female: A personal photojournal (Holt Rinehart and Winston, 1974)

Abigail Heyman (August 1, 1942 – August 28, 2013) was an American photographer and feminist. Her 1974 book Growing Up Female became an important text for the feminist movement.

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Wright Morris: L’essence du visible (Editions Xavier Barral, 2019)

This first monograph of Wright Morris in French coincides with the first important exhibition in France at the Henri Cartier-Bresson Foundation in Paris (June 18 – September 29, 2019).

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Ziebinska-Lewandowska; Amao; Maddox (Eds.): Dora Maar (Centre Pompidou, 2019)

Dora Maar, original name Henrietta Theodora Marković, (born November 22, 1907, Paris, France—died July 16, 1997, Paris) was a French photographer, painter and Surrealist.

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Takuma Nakahira : Circulation: Date, Place, Events (Osiris, 2012)

In 1971 photographer Takuma Nakahira participated in the Seventh Paris Biennale for emerging artists from around the world. In his experimental project Circulation: Date, Place, Events Nakahira challenged himself to photograph his surroundings and in the same day exhibit the results for a duration of approximately one week.

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Fotografieren hieß teilnehmen. Fotografinnen der Weimarer Republik ( Museum Folkwang, 1994)

This volume was issued for an exhibition of female photographers of the Weimar Republic which was shown at the Museum Folkwang (Essen), Fundacio La Caixa (Barcelona) and The Jewish Museum (NYC), in 1994-1995.

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Lena Fritsch: Ravens and Red Lipstick – Japanese Photography since 1945 (Thames & Hudson, 2018)

This volume provides one of the first overviews of Japanese photography to be published in English. Drawing on extensive research, Lena Fritsch traces the development of Japanese photography chronologically, from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan. Lena Fritsch is Curator of Modern and Contemporary Art at the…

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Lee Friedlander: Signs // The Mind and the Hand (Fraenkel Gallery // Eakins Press Foundation, 2019)

Lee Friedlander (born 1934) began photographing in 1948. From 1953 to 1955, Friedlander studied photography with Edward Kaminski at the Art Center School, Los Angeles, California. He has been a freelance photographer since 1955. His work was included in the influential 1967 exhibition New Documents at the Museum of Modern Art, New York, curated by John Szarkowski.…

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Shinya Arimoto: Tibet (Zen Foto Gallery, 2019)

Tibet is the new edition of Shinya Arimoto’s first and long out-of-print photobook Portrait of Tibet (published by Visual Arts, 1999), including a number of previously unpublished works.

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