Another platform for photobooks.
This book is the first to present a comprehensive selection of the work of South African photographer Jo Ractliffe. Looking back over the past 35 years, it brings together images from major photo-essays, as well as early works that have not been seen before.
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The Light at the End of History presents photographs from artist Abbey Hepner’s decade-long examination of nuclear energy, the atomic bomb, and radioactive waste. By capturing distinct marks in time, Hepner makes visible the ongoing, often invisible, relationships with nuclear technologies.
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Published on the occasion of the photographer’s 100th birthday, this illustrated book celebrates the Orkin’s life and work with an extensive and fascinating overview of this exceptional artist’s oeuvre.
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Stacy Arezou Mehrfar is a visual artist working across photography, video and bookmaking. Her second photobook, The Moon Belongs to Everyone, published by GOST Books, was released in Spring 2021.
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Yoshinori Mizutani’s (*1987, Japan) works suggest new expressive possibilities that mix the domestic traditions of personal and street photography with those of foreign conceptual photography.
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A new retrospective book and exhibition by photographer James Barnor draw on previously unpublished work. The publication of The Roadmaker coincides with the exhibition James Barnor: Ghanaian Modernist at Bristol Museum and as part of Bristol Photo Festival, and a major retrospective of Barnor’s work at Serpentine, London from 20 May 2021.
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Michele Sibiloni (born in 1981) is an Italian photographer and videographer. Nsenene Republic is his ongoing project about grasshopper hunting in Uganda.
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Since 2011, Olivia Lavergne has been working on the perception and metamorphosis of landscapes, both artificial and natural. In her latest work she has explored the mythical dimension of forests, playing with themes of storytelling and ethnographical research.
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