Amani Willett: The Disappearance of Joseph Plummer (Overlapse, 2017)

A curious tale exploring the history and mythology of a reclusive man living in central New Hampshire 200 years ago. Amani Willett’s photographs track this hermit’s overgrown trail through land his family now owns.

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Katrien De Blauwer: Why I Hate Cars (Libraryman, 2019)

Following her previous book When I Was a Boy, Katrien De Blauwer (b. 1969, Belgian) continues to explore her medium of « photography without a camera » in the monograph Why I Hate Cars.

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John Stezaker: Lost World (Ridinghouse, 2017)

British Conceptual artist John Stezaker (b. 1949) is known for his distinctive, often deceptively simple, collages. In 2011, he had a retrospective at the Whitechapel Gallery, London, and, in 2012, he won the Deutsche Börse Photography Foundation Prize, even though he does not take photographs.

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Taking Shots: The Photography of William S. Burroughs (Prestel, 2014)

William S. Burroughs (1914-1997) was an influential American novelist, essayist and artist, and a cult icon. Coinciding with the centenary of Burroughs’ birth, Taking shots was the first major exhibition worldwide to focus on his large photographic oeuvre.

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