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In his debut book Transcendence Mikko Kerttula observes the everyday events at a bus terminal of a small Swedish city of Sundsvall. By using reflections, bouncing harsh light and stains in glass surfaces Kerttula creates abstract and mirage-like portraits.
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Odd Time, the artist’s first monograph, juxtaposes Vrbaški’s austere portraits of women against cryptic forest scenes from the Dalmatian coast.
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Published on the 20th anniversary of the September 11 attacks, Lucas Foglia’s portraits recall what it was like to live in New York the following summer.
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Novogen is a project focusing on the eponymous breed of chickens that was developed in order to use its eggs in the production of pharmaceutical products such as medicines and vaccines. Through the investigation of the industrialised farming of the Novogen White Light chicken, Dániel Szalai intends to articulate questions and dilemmas regarding technology and man’s relation to nature.
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What is the state and who represents it? This is the main topic in Der Eid |The Oath, Jörg Gläscher’s comprehensive visual investigation from eleven countries on four continents.
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Her cover story with Dua Lipa, Binx Walton and Letitia Wright made Nadine Ijewere the first woman of colour to shoot the cover of any Vogue edition in the magazine’s 125-year history. Our Own Selves is her first monograph, which puts together her editorial, commercial and personal work in one volume.
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This is a redesigned edition of Fazal Sheikh and Teju Cole’s acclaimed text–image vision of a compassionate global community.
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British artist Jet Swan’s first monograph collects together the last three years of the artist’s engagement with members of the public through impromptu studio spaces, such as an empty shopfront inside a commercial mall in Scarborough, northeast England, and a repurposed community hall in Ramsgate, Kent, where the artist lives and works.
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