Daniela Pérez Reverón: Retratos Bs. As. (Vaciarte, 2020)

Vaciarte es una plataforma subcultural creada por Finnish artist Henrik Malmström y sus colaboradores en 2015. La plataforma intenta generar, cuestionar y fomentar la cultura visual en la Ciudad de Buenos Aires.

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Mårten Lange: Ghost Witness (Loose Joints, 2020)

Mårten Lange (born 1984, Gothenburg, Sweden) is an artist working on a wide range of topics including nature, technology and the urban environment. He has published several books, including Citizen (Études Books, 2015), Another Language (MACK, 2012), The Mechanism (MACK 2017) and Chicxulub (self-published, 2016).

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Ariko Inaoka: Eagle and Raven (Akaaka, 2020)

Eagle and Raven is a book of seven summers that Ariko Inaoka spent in Iceland, photographing the twin sisters Erna (Eagle) and Hrefna (Raven). The sisters grew from 9 to 16 years of age during the series.

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Short Cuts 17

Short Cuts 17 presents 4 new photobooks: (1) Julião Sarmento: Café Bissau (Pierre von Kleist, 2020) (2) Stephen Berkman (Ed.): Predicting the Past—Zohar Studios: The Lost Years (Hat & Beard, 2020) (3) plant petter (Self-published, 2020) (4) Gerry Johansson: Ehime (T&M Projects, 2020).

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Shinya Arimoto: Tokyo Debugger (Zen Foto Gallery, 2020)

Shinya Arimoto’s third publication with Tokyo-based publisher Zen Foto Gallery is a deep dive into the world of bugs, critters and insects. Shot between 2010 and 2019, Arimoto travelled to the mountainous areas of Okutama and Hinohara – far away from the city but still part of Tokyo Prefecture.

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Martin and Inge Riebeek: The Essential (The Eriskay Connection, 2020)

Since 2010 artists Martin and Inge Riebeek (NL) have been collecting stories from people around the world for their video art project
The Essential. This book offers a selection of 225 video portraits with transcipts of the touching monologues and additional photos.

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Ronghui Chen: Freezing Land (Jiazazhi Press, 2020)

Ronghui Chen is a Chinese photographer and storyteller based in Shanghai/ New Haven, whose work focuses on China’s urbanization. Known for his interest in the issues arising from the position of the individual within the urbanization and industrialization of China, Chen published his first collection of photographs named Chen Ronghui, now part of China’s Contemporary Photography Catalog.

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Carolyn-Drake: Knit-Club (TBW Books, 2020)

Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and imagine alternatives to them. Her work explores community and the interactions within it, as well as the barriers and connections between people, between places and between ways of perceiving.

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Bérangère Fromont: I don’t want to disappear completely (September Books, 2018)

French photographer Bérangère Fromont (1975) first studied film and literature at the Sorbonne before deepening her photographic practice with photographers such as Claudine Doury and Antoine d’Agata. Her work has been exhibited worldwide and has been featured in various web and paper publications.

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Ecce Homo: Gian Marco Sanna and Santolo Felaco (L.I.S.A., 2020)

Ecce Homo is a fanzine that collects some photos of the works Spleen by Santolo Felaco and Red Area by Gian Marco Sanna.
Like the aforementioned works, this fanzine investigates about the human condition of our time by trying to represent the mood of the authors through images.

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Ann M. Wolfe (Ed.): Anne Brigman: A Visionary in Modern Photography (Rizzoli Electa, 2020)

This main volume of a previously published slipcased edition is the catalogue of the major retrospective exhibition that took place in 2018 at the Nevada Museum of Art, and remains the first comprehensive book to chronicle the photography of Anne W. Brigman (1869-1950), one of the most important of all American women photographers.

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Melanie Friend: The Plain (Dewi Lewis Publishing, 2020)

In the 1980s and early 1990s Melanie Friend worked extensively as a photojournalist, before focusing on the wider aspects of war through long-term photographic projects. The Plain continues Friend’s investigation of everyday militarisation, revealing how war is embedded in this most English of landscapes.

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