Margit Erb; Michael Parillo (Eds.): Unseen Saul Leiter
The first sightings of newly discovered work from Saul Leiter’s abundant archive of colour slides.
The first sightings of newly discovered work from Saul Leiter’s abundant archive of colour slides.
In this unconventional, lyrical biography, Lesy traces Evans’s intimate, idiosyncratic relationships with men and women—the circle of friends who made Walker Evans who he was.
Klara and the Bomb is a photographical and historical work that charts connecting threads between the invention of modern computers, the history of nuclear weapons and, in particular, the narratives of the women involved.
This Is Bliss is a transmedia narrative project investigating the vanishing roadside geography and culture of a rural Idaho town named Bliss.
The Sniper Paused So He Could Wipe His Brow is something like a journey. Fifteen years, twenty countries, ninety-five images, three parts.
Graubard’s intimate and striking colour approach to photography found a voice of its own when she packed up and embedded herself within Eastern Europe during the early nineties.
For four years Tamara Reynolds immersed herself in the lives of the people existing just above survival on one square block in the shadows of the Drake Motel in Nashville, Tennessee.
Mimi Plumb’s third book focuses on her many years living in San Francisco. The pictures in The Golden City were made between 1984 and 2020.
This project surveys the American straight white male’s endless pursuit to sustain power and the institutions that enforce their supremacy.
In January 1974, David Godlis, then a 22-year-old photo student, took a ten-day trip to Miami Beach, Florida.
Sunshine Hotel assembles 175 photos made between 1969 and 2018—more than half previously unpublished.
Electronic Landscapes is a celebration of Detroit’s techno, house and hip-hop music scene.