Ragnar Axelsson: Arctic Heroes (Kehrer, 2020)

In his recent book Hetjur norðurslóða (Arctic Heroes) Icelandic photographer Ragnar Axelsson takes a poignant look at the fate of the Greenland sled dog.

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Maria Lax: Some Kind of Heavenly Fire (Setanta Publishing, 2020)

Originally from a small town in Northern Finland, Maria is now based in London. With a background in filmmaking, she is known for her use of colour, lighting and experimental camera techniques.

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John Cohen: Look up to the moon (Steidl, 2020)

In the summer of 1955 a relatively naive and uninformed John Cohen crossed the straits of Gibraltar. He arrived in Tangier with a handwritten note in cursive Arabic; the man who had composed it in New York had told him to “keep this paper far from your passport.”

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Ward Long: Summer Sublet (Deadbeat Club, 2020)

Ward Long is a photographer living in Oakland, California. Working in his home state and the American South, Ward blends a documentary style with personal storytelling.

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Jindrich Štreit: Village People 1965–1990 (Buchkunst Berlin, 2020)

Jindrich Štreit is an exceptional chronicler and narrator. In the 1970s and 1980s, the time of the communist hardliner regime, he describes in his authentic black and white photographs the country life in the former Czechoslovak Socialist Republic.

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William Eggleston: Election Eve – New Edition (Steidl, 2020)

In 1977 William Eggleston released Election Eve, his first and most elaborate artist’s book, containing 100 original prints in two leather-bound volumes. This new Steidl edition recreates the full original sequence of photos in a single volume.

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Wendy Ewald: Portraits and Dreams (Mack Books, 2020)

This revised and expanded edition of Ewald’s now-rare book, first published in 1985, offers access to a different and broadened view of the rural south over the span of 35 years.

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Alejandro Cartagena: Santa Barbara Save US (Skinnerboox, 2020)

The last chapter of the trilogy that has followed the cultural turmoil that the US has lived in the last 4 years. The third volume continues to paint an uncertain present and future.

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