Lucas Foglia: Summer After

Published on the 20th anniversary of the September 11 attacks, Lucas Foglia’s portraits recall what it was like to live in New York the following summer.

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Dániel Szalai: Novogen

Novogen is a project focusing on the eponymous breed of chickens that was developed in order to use its eggs in the production of pharmaceutical products such as medicines and vaccines. Through the investigation of the industrialised farming of the Novogen White Light chicken, Dániel Szalai intends to articulate questions and dilemmas regarding technology and man’s relation to nature.

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Jörg Gläscher: Der Eid | The Oath

What is the state and who represents it? This is the main topic in Der Eid |The Oath, Jörg Gläscher’s comprehensive visual investigation from eleven countries on four continents.

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Fazal Sheikh and Teju Cole: Human Archipelago

This is a redesigned edition of Fazal Sheikh and Teju Cole’s acclaimed text–image vision of a compassionate global community.

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Jean-Christophe Hanché: Les enfermés

Les enfermés is a book that takes its readers on the other side of our society. Jail, psychiatric hospital, detention centre. Based on Jean Christophe Hanché’s photographic observations, photographer and controller for the deprived freedom places, this book is instructive, sincere and shocking by the revelation of the real life conditions, often unworthy, inside these almost invisible places.

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Neil Folberg: A Mirror in Macedonia

Drawn to Macedonia in 1971 by its vibrant folk culture, Neil Folberg received a fellowship from the University of California at Berkeley to spend five months photographing the land and people of this rugged, mountainous land, then part of Yugoslavia.

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Michele Sibiloni: Nsenene

Michele Sibiloni (born in 1981) is an Italian photographer and videographer. Nsenene Republic is his ongoing project about grasshopper hunting in Uganda.

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About Us. Young Photography in China

The publication presents a selection of some 150 works by 40 Chinese artists from the collection of the Alexander Tutsek-Stiftung. The photographs, in black and white or shown as dramatic presentations in colour, were produced from the 1990s until the present day.

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