Another platform for photobooks.
The Light at the End of History presents photographs from artist Abbey Hepner’s decade-long examination of nuclear energy, the atomic bomb, and radioactive waste. By capturing distinct marks in time, Hepner makes visible the ongoing, often invisible, relationships with nuclear technologies.
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The publication presents a selection of some 150 works by 40 Chinese artists from the collection of the Alexander Tutsek-Stiftung. The photographs, in black and white or shown as dramatic presentations in colour, were produced from the 1990s until the present day.
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Finland is one of the most forested countries in the world. Almost 75 percent of the country is covered by forests – that’s over 26 million hectares of which Jaakko Kahilaniemi owns 100 hectares. His conceptual project 100 Hectares of Understanding is his attempt to understand the forest area he inherited.
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Necessary Fictions explores the performance of American power and identity in the post-9/11 era. During trips to ten military bases across the United States, Cornwell documented mock-village landscapes in the fictional country of “Atropia” and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios.
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Rene Maurin (*1971) is a Slovene author marked by infidelity to mediums as he roams cinematic, stage, and recent, photographic expressions.
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New work by renowned Californian artist John Divola, celebrated for his idiosyncratic combination of photography, installation, and visual arts. These photographs made in a disused air force base continue Divola’s alternative vision of California, as seen in Zuma (1977) and Vandalism (2018).
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