Will Harris: You Can Call Me Nana (Overlapse, 2021)

A personal yet universal family memoir where a photographer confronts his grandmother’s dementia and tries to make sense of their changing relationship.

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Ward Long: Summer Sublet (Deadbeat Club, 2020)

Ward Long is a photographer living in Oakland, California. Working in his home state and the American South, Ward blends a documentary style with personal storytelling.

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Marvin Böhm: You’re Not As___As You Think (Kettler, 2020)

In 2017, Marvin Böhm’s mother was diagnosed with cancer. From then on, he began to capture his private life with a camera–led by his intuition. He had little interest in chronicling her suffering and illness: Böhm’s main goal was to “carry on” and continue into the future. His incessant interaction with the resulting images soon turned into a sort of therapy.

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Favorite Photobooks of 2020 (1)

Favorite Photobooks of 2020 (1): Martin and Inge Riebeek: The Essential (The Eriskay Connection, 2020); John Divola: Chroma (Skinnerboox, 2020); No Olho da Rua (In the Eye of the Street) (Mörel Books, 2020); Vivian Keulards: To Hans (Schilt Publishing, 2020).

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Sonja Trabandt: Übermorgen Schnee (Hartmann Books, 2020)

Tomorrowsʼ Snow tells a story about cancer, depression and friendship with still lifes, anonymous portraits, medical scans, landscapes and stagings.

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Vivian Keulards: To Hans (Schilt Publishing, 2020)

Vivian Keulards is a Dutch conceptual portrait photographer. She graduated in 2009 from the Fotoacademie Amsterdam. Children, adolescents and vulnerable groups are recurring subjects in her photography.

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Abigail Heyman: Growing up female: A personal photojournal (Holt Rinehart and Winston, 1974)

Abigail Heyman (August 1, 1942 – August 28, 2013) was an American photographer and feminist. Her 1974 book Growing Up Female became an important text for the feminist movement.

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Angela Sequeira: Counterweight, traffic light and palm tree (Edições Biombo, 2018)

Angela Sequeira (b.1984) based in Oporto, Portugal as been working as a designer for the past 10 years. Having studied Fine Arts, she reflects on visual subjectivity to create concepts pursuing distinct ways of communication that could approach and deepen human relations.

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