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The Light at the End of History presents photographs from artist Abbey Hepner’s decade-long examination of nuclear energy, the atomic bomb, and radioactive waste. By capturing distinct marks in time, Hepner makes visible the ongoing, often invisible, relationships with nuclear technologies.
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Published on the occasion of the photographer’s 100th birthday, this illustrated book celebrates the Orkin’s life and work with an extensive and fascinating overview of this exceptional artist’s oeuvre.
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Paddy Summerfield’s Home Movie tells the oldest story, the saddest story, a story that includes the story-teller. It is the Fall of Man, falling from innocence into exile, a dark world of claustrophobic interiors, of low life bars and stained streets, of casual fornication in shabby bed and breakfast rooms.
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Stacy Arezou Mehrfar is a visual artist working across photography, video and bookmaking. Her second photobook, The Moon Belongs to Everyone, published by GOST Books, was released in Spring 2021.
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Yoshinori Mizutani’s (*1987, Japan) works suggest new expressive possibilities that mix the domestic traditions of personal and street photography with those of foreign conceptual photography.
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A new retrospective book and exhibition by photographer James Barnor draw on previously unpublished work. The publication of The Roadmaker coincides with the exhibition James Barnor: Ghanaian Modernist at Bristol Museum and as part of Bristol Photo Festival, and a major retrospective of Barnor’s work at Serpentine, London from 20 May 2021.
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Issei Suda – My Japan is an introduction to his life’s work, from the 1960s until the publication of his final book in 2018. It includes photographs from his early days for the avant-garde theatre troupe Tenjo Sajiki, and iconic series, such as Fushi Kaden and Waga Tokyo 100.
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Michele Sibiloni (born in 1981) is an Italian photographer and videographer. Nsenene Republic is his ongoing project about grasshopper hunting in Uganda.
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